8:00am • (Opening) Welcome and Opening Remarks
8:30am • (Opening) In Commitment to Community: BACC’s Journey into Radical Inclusion
8:47am • (Opening) Considering Elements of Effective Collaboration at the National Museum of the American Indian
9:04am • (Opening) Powerful Places: cultivating cultural resilience in Minnesota’s sacred ecological sites
9:21am • (Opening) Curiosa Naturalia: bringing a natural history collection back to life
9:38am • (Opening) Threads of Time: Discovering a 19th-Century Faroese Knitted Sweater
10:15am • Morning Exhibit Hall Break
10:55am • (Opening) – Telling Your Story: Thinking about Funding Perspectives
12:00pm • (Luncheon) Forging Connections: Working Together to Build and Sustain Small-Team Preservation Programs in Libraries and Archives - $39
12:00pm • (Luncheon) Our Stories: Communicating Conservation when Presenting to a General Audience - $35
12:00pm • (Luncheon) Foundations of Spectral Imaging of Cultural Heritage Objects (Multiband, Multispectral and Hyperspectral Imaging) - $35
2:00pm • (Objects) New African Masquerades: Flexible mounts for a collaborative exhibition
2:00pm • (Architecture) Solution from Nature: Psyllium Husk as a Biological Amendment for Soil-based Shelter Coat Protection of Earthen Heritage
2:00pm • (Photographic Materials) Application of High-Resolution Multispectral Imaging Systems for the Very-Long-Term Monitoring of Degradation Over Time of Photographs, Paintings, Fabrics, Documents, Books, and Other Cultural Heritage Materials
2:00pm • (Book and Paper) A Decade in America: A 10 year race to prepare the 1960s Census Enumeration District Maps for digitization
2:00pm • (Preventive Care) Meeting in the Middle: Best Practices and Practical Actions Unite in Community Collaboration
2:00pm • (Paintings) Case studies in Collaboration: 17th century painting workshops to 21st century conservation studios
2:00pm • (Contemporary Art) Direct Approaches to Complex Situations: Collaborating to Display Contemporary Textiles at the Los Angeles County Museum of Art
2:00pm • (Textiles) Facing the Unknown Together: Conservation of Mexican Costume Collection by Pedro Loredo
2:00pm • (Research & Technical Studies) A multi-disciplinary solution for the problem of lead corrosion in organ pipes
2:30pm • (Architecture) Heat, Humidity, and Pressure: Leveraging Techniques from Other Disciplines to Preserve Graffiti and Architectural Paints at a Historic Prison Museum
2:30pm • (Preventive Care) Van Gogh in motion: Safeguarding lined and unlined Van Gogh paintings from vibration and mechanical shock during transport
2:30pm • (Electronic Media) Machine Learning in Art: Tools, Techniques, and Implications for Conservation
2:30pm • (Book and Paper) Archivists and Conservators: An Unlikely Love Story
2:30pm • (Paintings) “It’s the small pieces that make the big picture”: The structural treatment of An Allegory of the Tudor Succession
2:30pm • (Photographic Materials) “Lights on Vivex prints!” Raman identification and microfade testing of coloring materials
2:30pm • (Research & Technical Studies) Testing for lead on sculpture: defining useful thresholds in a liability- and safety-minded America
2:30pm • (Textiles) If you Give a Mouse a Cookie: The use of Solvent Gels, Painted Overlays, and a Heating Pad in the Treatment of a Crazy Quilt
2:30pm • (Contemporary Art)Mud Musings: Changing Systems and Ideas in Robert Rauschenberg’s Sound-Activated Artworks
2:30pm • (Objects) A Sterling Conservation Project: Preparing 1200 Pieces of Gorham Silver for Exhibition and Travel
3:00pm • (Preventive Care) A Multi-Strategy Approach to Preventive Conservation for historic wooden objects
3:00pm • (Research & Technical Studies) Museums and Zoos: A case study of an unusual collaboration for heritage science research and public outreach
3:00pm • (Paintings) Corneille de Lyon heart: technical studies of a late Renaissance portraitist and his workshop in France
3:00pm • (Textiles) It Takes a Village: Collaborations as a Critical Element in the Development of Pesticide Safety Programs
3:00pm • (Contemporary Art) Building collaborative networks of care for the conservation of Chryssa’s neon works
3:00pm • (Electronic Media) Video Archives for Media Archaelogy: Steina Vasulka and Live A/V Processing in the 90s
3:00pm • The Wayside: House of Authors in Concord, MA. Introduction to Conservation and Preservation Efforts for Framed Photographs on Display.
3:00pm • (Objects) Rediscovering and assembling painted wooden boxes from King Tutankhamun's collection: a collaborative approach
3:00pm • (Architecture) Bridging the Gap Between Real and Virtual: A Digital Interface for a Building Materials Collection
3:00pm • (Book and Paper) Blueprint for Growth: A Journey of Architecture Designs
3:30pm • Afternoon Break in the Exhibit Hall
4:00pm • (Preventive Care) Heat protective covers: Enhancing Fire Preparedness for Cultural Collections and the case study of Emergency Planning in France
4:00pm • (Paintings) A Collaboration Between Two Private Practice Firms: The Conservation and Restoration of Noël Hallé’s Abraham and the Three Angels
4:00pm • (Electronic Media) Pay No Attention to that Unit Behind the Curtain: Identification, Assessment, and Documentation of Control Systems
4:00pm • (Textiles) Strategic(?) use of adhesive in treating fractured silk gauze layers of a complex garment.
4:00pm • (Photographic Materials) Handcrafted Preservation: Custom Storage Solutions for Photographs at the Archivo de la Memoria Trans Argentina
4:00pm • (Architecture) Partners in Preservation: The importance of collaboration during construction at the Lower East Side Tenement Museum
4:00pm • (Book and Paper) Expanding Access: Inclusive Conservation and Education Engagement at The UK National Archives
4:00pm • (Research & Technical Studies) The role of adsorption in the solubilization of paper degradation products: Using treatment observations as a springboard for scientific advances
4:00pm • (Objects) Mighty Powder: Demonstrating that fumed silica increases the adhesive strength of Acryloid B-72
4:00pm • (Contemporary Art) In name only? Collecting and caring for non-delegated performance artworks
4:30pm • (Paintings) Beva 371: past, present, and future
4:30pm • (Contemporary Art )A Prophylactic Treatment: Two Condom Collage Replications in Joanne Leonard’s Journal of a Miscarriage (1973)
4:30pm • (Book and Paper) Manuscripts that multiplied – stories from the parchment partnerships
4:30pm • (Research & Technical Studies) On the development of Xanthan-Konjac/Agar physical hydrogels and their analogs for conservation cleaning applications
4:30pm • (Photographic Materials) Conservation of the portrait of Leonardas Biržiška (1809 –1902)
4:30pm • (Electronic Media) Refining Workflows: Using the Iteration Report as an Advocacy Tool
4:30pm • (Objects) Exploring Consolidation of Degraded Natural Foam Rubber
4:30pm • (Architecture) It takes a village to save an American Treasure: Preserving the Swimming Pool Grotto ceiling mural at Vizcaya Museum and Gardens
4:30pm • (Textiles) Reflections on Twenty-Five Years in Private Practice
4:30pm • (Preventive Care) Turning Leaks into Lessons: Insights from a Water Leak Response in University Special Collections
4:45pm • (Textiles) Private Practice Panel and Q/A
4:45pm • (Photographic Materials) Developing Conservator: My Journey in Darkroom Photography
4:50pm • (Paintings) BEVA 371: An examination of morphological properties and the visualization of stress in mock painting samples using advanced thermal, spectroscopic, and imaging methods
5:00pm • (Book and Paper) Keeping the Wolf from the Door: Remediating the Effects of Pressure-sensitive Tape While Preserving Artistic Intention
5:00pm • (Research & Technical Studies) Developments in Safer Solvent Selections for the Removal and Application of Synthetic Resins
5:00pm • (Electronic Media) More Than Meets the Eye: New Methods for Testing Artwork Iterations
5:00pm • (Contemporary Art ) On the intersection of art and human rights: Collective efforts to preserve the work of imprisoned artist Luis Manuel Otero Alcantara
5:00pm • (Paintings) Bringing BEVA 371 into the future: refinements and expanded forms
5:00pm • (Photographic Materials) De “mist”ifying the Dahlia Sprayer
5:00pm • (Preventive Care) Other duties as assigned: the unexpected tasks of preventive care and the lessons of a pre-program Preservation Assistant
5:00pm • (Objects) Bulked B-72 Fills
5:10pm • (Paintings) BEVA Q&A
5:30pm • Paintings Specialty Group Happy Hour
5:45pm • Objects Conservation - Speed Networking Session TICKETED
8:00am • Paintings Specialty Group Networking Event
8:00am • (Workshop) Respirator Fit Test
8:30am • (Architecture + Preventive Conservation) Building Together Better: Establishing Dynamic Models for Collections Storage Planning at The New York Public Library Research Libraries
8:30am • (Wooden Artifacts) Unleashing the Evidence: Creating an Interactive Didactic Centered on Conservation-Derived Content
8:30am • (Textiles) “Form Inventions”: A Technical Analysis of Barbara Rossi’s Prints on Textiles
8:30am • (Book & Paper + Photographic Materials + RATS +Imaging) Investigating Transmitted Infrared Imaging to Detect Chalk Media on the Verso of Lined Stradanus Drawings
8:30am • (Objects) Fit to float: Conservation of a Painted Canvas and Birchbark Canoe
8:30am • (CAN! - VoCA) The conversation in a language of love. Passion or murder? An interactive presentation between Chilean artist Daniela Rivera and Spanish conservator Ruth del Fresno-Guillem
9:00am • (Book & Paper + Photographic Materials + RATS+Imaging) Colorant Detectives: An Interactive Dichotomous Key for Multiband Imaging
9:00am • (CAN-VoCA) Planting the Seed: Collaboration in the Preservation of Kraus Campo
9:00am • (Wooden Artifacts) How do you fill? How hallway conversations built collaborations for the conservation of wooden objects
9:00am • (Architecture + Preventive Conservation) Flood Barriers: Examining and Improving Flood Preparedness at Museums and Sites in Historic Buildings
9:00am • (Paintings) “Preserving Oversize Paintings: Collaborative Innovations between Paintings Conservation and Collections Management at the Heritage Conservation Centre, Singapore”
9:00am • (Textiles) In the French Style: The Conservation of an 18th Century Chinese Tapestry in the Collection of the Cleveland Museum of Art
9:00am • (Objects) “Turning the Feather Around”: Conservation of a Monumental George Morrison Mural
9:15am • (Book & Paper + Photographic Materials + RATS +Imaging) Automating Image Registration with OpenCV-Python: Lowering the Cost Barrier for Multiband and Multispectral Imaging Setups
9:30am • (Textiles) Stranger than it Seams: Treatment of a 19th-century Painted Embroidered Picture
9:30am • (Book & Paper + Photographic Materials + RATS+ Imaging) Using multispectral imaging to augment digitized West African manuscripts
9:30am • (Objects) Radiography in the Round: Capturing and Viewing X-rays in 360°
9:30am • (Wooden Artifacts) In Between the Layers: Technical Study of a Contemporary Vietnamese Lacquer Painting
9:30am • (Architecture + Preventive Conservation) Preserving Ukraine's Cultural Heritage during Russia's Invasion
9:30am • (Paintings) Andy Warhol's Oxidation Paintings
9:30am • (CAN!/VoCA) Developing a Designer Residency Program from the ground up
10:00am • Morning Exhibit Hall Break
10:30am • (Paintings) A Mysterious Pair: the treatment and technical study of Veronese’s Allegories of Navigation at LACMA
10:30am • (Research & Technical Studies) Challenges and benefits of community-based participatory research (CBPR) in technical art history and conservation science: The Tikuna/Magüta blue case
10:30am • (Objects) Perpetual Conservation: a continuing collaboration to conserve Jack Nelson’s kinetic Sculpture Clock
10:30am • (Textiles) Glue Me Once, Glue Me Twice: Adhesive Retreatment of an Early 18th C Embroidered Palampore
10:30am • (Architecture + Preventive Conservation) Let there be light (or maybe not)
10:30am • (Electronic Media) Learning on the Job with Maintenance Culture: Creating a digital media art preservation Field Guide and trainings for small shops and artists - a 90 minute panel
10:30am • (Wooden Artifacts) Re-define the craquelure patterns on traditional Chinese musical instrument guqin with advanced imaging techniques RTI and micro-CT
10:30am • (Book and Paper) The Ties That Bind: Communication, Collaboration, and Cross-Disciplinary Professional Development in the Service of Library Special Collections
10:30am • (CAN!/VoCA) The Evolution of Glenstone Museum’s Artist Oral History Program
11:00am • (Research & Technical Studies) Embracing Uncertainty: Exploring New Perspectives in the Story of a Chinese Lacquer Screen
11:00am • (Book and Paper) A History of the Books in Taiwan: The Transformation of Bookbinding Formats During the Period under Japanese Rule (1895-1945)
11:00am • (Architecture + Preventive Conservation) Common HVAC issues and ways to avoid or correct them.
11:00am • (Textiles) Alf Engen Ski Museum Gets a Lift
11:00am • (Wooden Artifacts) Furthering Conservation in Wartime Ukraine
11:00am • (Objects) Gorgonized by Her Monsterful Snoutfair Visage: Harriet Hosmer's Medusa in Context
11:00am • (Paintings) “I paint paintings”: The materials, techniques, and conservation of Joan Mitchell’s Paintings on Canvas
11:00am • (CAN!/VoCA) Bringing in new voices: the next generation of the Artist Documentation Program
11:30am • (Research & Technical Studies) Our Elusive Yellow Whale: New Findings on the History and Identification of Patent Yellow/Lead Oxychloride Pigment in Painted Heritage Objects
11:30am • (CAN!/VoCA)Evolving Dialogues: Revisiting the Artist Interview
11:30am • (Architecture + Preventive Conservation) “Understanding the Problem and Defining the Goal: Environmental Assessments in Historic Buildings and Collections in the NPS, Region 1”
11:30am • Conservator as Project Manager:Lessons I learned and friends I made while moving a Keith Haring Mural
11:30am • (Textiles) A comparative practical study to evaluate the impact of the selected Bio and Synthetic polymers loaded with cleaning agents applied for reduction different stains from dyed stained wool fabric
11:30am • (Book and Paper) Sympathetic to Synthetics: Developing Tear Repairs for Matte Laminated Papers in Twenty-first Century Periodical Covers
11:30am • (Objects) Still Got The Blues: The Technical Study and Conservation Treatment of a Tian-Tsui Headdress
11:45am • (Book and Paper) When Outreach Reaches Back: The Treatment and Re-Treatment of Katsukawa Shunshō’s Abalone Fishergirl with an Octopus
12:00pm • (Luncheon) Objects Tips Lunch - $39
12:00pm • (Luncheon ) Embracing “It Depends”: A Collaborative Discussion on Navigating Ambiguity in Art Conservation - $39
12:00pm • CIPP Lunch Program - Cost $35
12:00pm • (Luncheon) The Impact of the New Orleans Charter after 30 Years - $39
12:00pm • Book and Paper Group Wiki Discussion
2:00pm • (Leading the Way: Conservation Strategies in Museum Redevelopment) Introduction by Session Chair Vanessa Applebaum and Sponsor Remarks by Tru Vue
2:00pm • (Collaboration in Conservation Education) A Broad Brush Approach to Learning: Preserving Community Heritage
2:00pm • (Conservation in Times of Historical Conflict) Conservation, site preservation, and civil war at the UNESCO World Heritage Site of Jebel Barkal, Sudan: lessons from work during armed conflict
2:00pm • (Capturing Complexity: Addressing Imaging Challenges through Collaboration) A Partnership Between The City Palace Museum in Udaipur and The Metropolitan Museum of Art in New York: The Joint Study of Mewar Paintings Through Multiband Imaging
2:00pm • (Lighting the Way: Museum Illumination Policies and MIcroFade Testing) Intrroduction
2:00pm • (We’re All in This Together: Conservation Outreach and Community Engagement) sponsor remarks Davide Borla of Propagroup S.p.A. and introduction
2:05pm • (We’re All in This Together: Conservation Outreach and Community Engagement) Teacher/Conservator Co-Creation: Lessons in K-12 Outreach at the Conservation Center for Art and Historic Artifacts
2:10pm • (Leading the Way: Conservation Strategies in Museum Redevelopment) Let there be light: reintroducing natural light with mixed displays at the National Portrait Gallery London
2:10pm • (Lighting the Way: Museum Illumination Policies and MIcroFade Testing) Sustainability-based decision making for museum lighting
2:25pm • (We’re All in This Together: Conservation Outreach and Community Engagement) Letters to a Pre-Scientist: Accessible and Inclusive K-12 Outreach for Every Conservator
2:30pm • (Capturing Complexity: Addressing Imaging Challenges through Collaboration) Photogrammetry Fast: Developing a New Automated Pipeline.
2:30pm • (Collaboration in Conservation Education) Strategies for Accessible and Collaborative Training in Indigenous Collections Care
2:30pm • (We’re All in This Together: Conservation Outreach and Community Engagement) Community-Led Preservation: Our Stuff, Our Stories at the Conservation Center for Art & Historic Artifacts
2:30pm • (Conservation in Times of Historical Conflict) Wooden Churches in Wartime Ukraine: Conservation Challenges
2:35pm • (Leading the Way: Conservation Strategies in Museum Redevelopment) “If you build it, they will come”: Building a Climate-Controlled Storage Unite Inside a 1940s Warehouse on a Navy Base
2:35pm • (Lighting the Way: Museum Illumination Policies and MIcroFade Testing) Illumination and Remembrance: Lighting Practices at the National September 11 Memorial & Museum
2:40pm • (We’re All in This Together: Conservation Outreach and Community Engagement) Establishing a Conservation Outreach Position at the Smithsonian National Museum of Asian Art
3:00pm • (Lighting the Way: Museum Illumination Policies and MIcroFade Testing) Illuminating Acceptable Change: Collaborative, Data-Driven Lighting Guidelines
3:00pm • (Collaboration in Conservation Education) Teaching and Networking as a Strategy for the Preventive Conservation of Cultural and Scientific Heritage at the University of São Paulo and in Brazil
3:00pm • (We’re All in This Together: Conservation Outreach and Community Engagement) The Stories We Keep: Conservation as the bridge to connect visitors, staff and the Carnegie Museum of Natural History’s collections.
3:00pm • (Capturing Complexity: Addressing Imaging Challenges through Collaboration) The Challenge of Chemical Reagents:The Verona Gaius and Vergil Palimpsests at the Confluence of Technologies
3:00pm • (Leading the Way: Conservation Strategies in Museum Redevelopment) Hundreds of objects, very few of us: treatment, prioritization, and teamwork during the Yale Peabody Museum renovation
3:10pm • (We’re All in This Together: Conservation Outreach and Community Engagement) (Un)Concealed Layers: design + public reception of a technical analysis exhibition
3:15pm • (Collaboration in Conservation Education) Enhancing Diversity in Conservation through Collaboration at the World’s Largest Consortium of HBCUs
3:30pm • Afternoon Break in the Exhibit Hall and Poster Q&A Session
4:00pm • (Documenting Reactivations: Between Materials & Sensory Experiences and Interactions) Jordan Wolfson's Body Sculpture: Transferring skills and documenting robots at the National Gallery of Australia.
4:00pm • (Prioritizing People Over Objects: Re-imagining Conservation Ethics) Introduction
4:00pm • (Digitization and Open Access to Conservation Research and Technical Images) Introduction
4:00pm • (Context-Based Practice: Conservation Field Services) Welcome
4:00pm • (Elements of Effective Collaboration) Introduction and Sponsor Remarks by Click Netherfield
4:00pm • (Inside Out: Rewriting the Power Dynamics in Conservation) Introduction
4:05pm • (Inside Out: Rewriting the Power Dynamics in Conservation) NEW Conservation Leadership Program with a Foundation in Cultural Equity
4:10pm • (Elements of Effective Collaboration) Building Bridges: Reflections from a Collaborative Conservation Project
4:10pm • (Context-Based Practice: Conservation Field Services) Embedding Community Conservators in Public Libraries: Conservation as a Public Service
4:12pm • (Digitization and Open Access to Conservation Research and Technical Images) Publishing Technical Material on a Museum Website: The Early Netherlandish Paintings at The Met as a Case Study
4:15pm • (Prioritizing People Over Objects: Re-imagining Conservation Ethics) Darning the Wear of Time in the 21st Century: Redefining the Art Historical Narrative and the Role of the Textile Conservator
4:20pm • (Documenting Reactivations: Between Materials & Sensory Experiences and Interactions) A Touchy Subject: Advancing Tactile Accessibility for Everyone
4:20pm • (Inside Out: Rewriting the Power Dynamics in Conservation) Managing change - Leadership in conservation and science for a new era
4:30pm • (Elements of Effective Collaboration) Thirty Sailors Walk into a Museum: A Story of Collaboration Between Collections Professionals and a US Naval Nuclear Submarine Crew
4:30pm • (Prioritizing People Over Objects: Re-imagining Conservation Ethics) Resonating Change through Collections Stewardship: The Creation of the Indigenous Collections Care (ICC) Guide
4:30pm • (Context-Based Practice: Conservation Field Services) A Field Services Guide to Emergency Response
4:30pm • (Digitization and Open Access to Conservation Research and Technical Images) Developing a Legacy of Open Access, Digital Catalogs at the Indianapolis Museum of Art
4:40pm • (Inside Out: Rewriting the Power Dynamics in Conservation) Empowering Black Preservation: A Collaboration of Community, Conservation, and Construction at Mt Zion Baptist Church in Athens, Ohio
4:40pm • (Documenting Reactivations: Between Materials & Sensory Experiences and Interactions) Future lives: Collaborative approaches to the Conservation of Choreographic Artworks
4:50pm • (Inside Out: Rewriting the Power Dynamics in Conservation) Your Neighborhood Museum: creating a workspace for sustainable community-led cultural heritage preservation models
4:50pm • (Elements of Effective Collaboration) Supporting Our Communities On the Edge: Community-led conservation in the midst of the climate crisis
4:50pm • (Context-Based Practice: Conservation Field Services) Acts of Commemoration: When Narrative Precedes Material Context at the National September 11 Memorial & Museum
4:55pm • (Prioritizing People Over Objects: Re-imagining Conservation Ethics) Traditional Care and Western Care – A “Kinship” Approach to Collections Care
5:00pm • (Documenting Reactivations: Between Materials & Sensory Experiences and Interactions) Visceral Adipose Tissue: Overcoming Boundaries for the Presentation and Preservation of 2000-04-11 by Gu Dexin
5:00pm • (Digitization and Open Access to Conservation Research and Technical Images) From Shared Mission to Shared Resources: The Joint Design and Development of the Samuel H. Kress Foundation and NYU Kress Conservation Websites
5:10pm • (Context-Based Practice: Conservation Field Services) Cultivating Collaborative Care: The Sol Legare Community, Clemson University, and the Seashore Farmers’ Lodge
5:10pm • (Elements of Effective Collaboration) A Focused and Critical Look at Collaborative Relationships at the National Museum of the American Indian
5:10pm • (Inside Out: Rewriting the Power Dynamics in Conservation) Community-Inclusive Public Art Conservation: Inner Resources Mural Conservation Apprenticeship Project
5:15pm • (Prioritizing People Over Objects: Re-imagining Conservation Ethics) To Box or Not to Box that is the question of Being Boxed in - The Designing Process of Culturally Sensitive Containers
5:20pm • (Inside Out: Rewriting the Power Dynamics in Conservation) Lighting Round Q&A and Panel Discussion
5:20pm • (Documenting Reactivations: Between Materials & Sensory Experiences and Interactions) Panel Discussion
5:30pm • (Context-Based Practice: Conservation Field Services) Q&A and Panel discussion
5:30pm • (Elements of Effective Collaboration) Panel Discussion
5:30pm • (Prioritizing People Over Objects: Re-imagining Conservation Ethics) Panel Q/A and Discussion
5:30pm • (Digitization and Open Access to Conservation Research and Technical Images) Panel Discussion
8:15am • (Stumbling Towards Sustainability: Stories About Implementation) Introduction
8:30am • (Stumbling Towards Sustainability: Stories About Implementation) Getting on the Same Page at NYPL: Learning Together to Advance Climate Action in Preservation and Exhibition Contexts
8:50am • (Stumbling Towards Sustainability: Stories About Implementation) Sustainability across the collection multiverse
9:10am • (Stumbling Towards Sustainability: Stories About Implementation) Sustainable Practices within Collection Care: Balancing Environmental Conditions with Institutional Demands
9:30am • (Stumbling Towards Sustainability: Stories About Implementation) Panel Discussion
10:30am • (Preventive Care | Research & Technical Studies |MFT-IDG) Lighting Policy as an iterative process with MFT
10:30am • (Architecture) Proposing an Alternative Methodology for Hurricane-Related Vulnerability Assessments of Built Heritage in Puerto Rico
10:30am • (Objects) When Art Meets Engineering: Collaborative Approaches to Outdoor Sculpture Installations at the Toledo Museum of Art
10:30am • (Contemporary Art + Electronic Media) Branching Out: Conservation of Nam June Paik’s Who’s Your Tree at the Indianapolis Museum of Art
10:30am • Library and Archives Discussion Group - Managing Existing Mold on Library and Archives Collections
10:30am • Art on Paper Discussion Group - Citrates in Paper Conservation - 90 minutes
10:30am • (Archaeological Heritage) From Ashes to Artifacts: the strategic recovery of collections from the Montpelier fire
10:30am • (Paintings + Wooden Artifacts) Painting on a Ply: Exploring Innovative Treatments and Funding Solutions
10:30am • (Textiles) You Had Me at Trello: Kanban Style Project Management in Conservation through Four Case Studies
11:00am • (Paintings + Wooden Artifacts) Just Like the Real Thing: Jules Allard et Fils Reproduction Boiserie Period Rooms at the John & Mable Ringling Museum of Art
11:00am • (Preventive Care | Research & Technical Studies |MFT-IDG) Shades of yellow: can MFT foretell light-induced color change of white paper?
11:00am • (Textiles) WANTED: Cleaning Methods for Fugitive Early Synthetic Organic Acid Dyes on the Run
11:00am • (Archaeological Heritage) Heritage West | Archaeology, Conservation, and Community in West Philadelphia
11:00am • (Objects) My Kingdom for a Drain: The Collaborative Treatment of Robert Gober’s Untitled Installation
11:00am • (Contemporary Art + Electronic Media) Collaborative Voices: Preserving Alan Rath's Electronic Legacy Through Shared Knowledge
11:00am • (Architecture) Colored Expectations, Whitewashed Reality: A.J. Downing's Influence and the Surprising Palette of Ivy Lodge
11:30am • (Preventive Care | Research & Technical Studies |MFT-IDG) Low Dose Microfade Testing in Air and Low Oxygen Environments to Optimize Long-Term Display for the Emancipation Proclamation
11:30am • (Textiles) Thutmose III Mummy Shroud from Storage to Display: Challenges and Collaborative Insights into Preservation and Exhibition
11:30am • (Archaeological Heritage) Forging Ahead: Creosote Removal from the Valley Forge National Park Upper Forge Site
11:30am • (Objects) Collaboration on Restoring Henry Moore’s Bronze Form at the Getty Museum
11:30am • (Architecture) Importance of Planning, Research, and Material Testing in Maintaining an Oldest Public Wood-and-Glass Greenhouse in the United States
11:30am • (Contemporary Art and Electronic Media) Meet RALPH: The Reliable, Archival, Longterm Preservation Helper
11:30am • (Paintings + Wooden Artifacts) Early case studies in the use of Xanthan-Konjac/Agar physical hydrogels and their analogs for conservation cleaning
11:45am • (Archaeological Heritage) Hazy and Fragmented Memories: Revitalizing Two Archaeological Glass Carboy Bottles
12:00pm • (Luncheon) Sustainability in Collections Care: Centering on Context vs. Extending an Object’s Physical Life $39
12:00pm • (Luncheon) Paintings Conservation Tips Luncheon - $39
12:00pm • (Luncheon) Socratic dialogue: What makes an object (in)valuable enough to conserve and preserve? $35
1:30pm • (Book and Paper) Reconsidering Klucel M: A Comparative Study of Commonly Used Cellulose Ethers in Paper Conservation
2:00pm • (Objects) Mercury: A Collection Component - A Panel Discussion
2:00pm • (Research & Technical Studies) Joe Overstreet: searching for an unknown truth
2:00pm • (Paintings + Wooden Artifacts) The First Hundred Years of Masonite
2:00pm • (Architecture) ASG Panel Laser Cleaning on Masonry Materials, Lessons Learned
2:00pm • (Textiles) Technical analysis of Anatolian Kilims: Bridging disciplines, departments and continents
2:00pm • (Book and Paper) Adhesive Kinetics: the Folding Endurance of Wheat Starch Paste, Cellulose Ethers, and Photo-Grade Gelatin
2:00pm • (Contemporary Art + Electronic Media) Balancing Aesthetics and Functionality: a continuous refinement to care for design objects
2:00pm • (Archaeological Heritage) When Conservation Goes For a Spin: Experiences gained and lessons learning from ten years of lifting and rotating large archaeological objects at the Mariners’ Museum and Park
2:30pm • (Research & Technical Studies) Secret Sauce: Investigating the Materials in Whistler’s Nocturnes
2:30pm • (Contemporary Art + Electronic Media) Exploring 3D Documentation for Time-based Media artworks: Case Studies from the Smithsonian Institution
2:30pm • (Archaeological Heritage) Value, Collaboration, and Sustainable Practice: The Vésztő-Mágor Conservation and Exhibition Program
2:30pm • (Paintings + Wooden Artifacts) Collaborative conservation of a monumental altarpiece: Vivarini’s Virgin and Dead Christ with the Ascension and Saints
2:30pm • (Textiles) When UFOs invade: Displaying unfinished objects
2:30pm • (Book and Paper) Evaluating the effectiveness of alum-tawed parchment as a repair material
3:00pm • TSG Wiki Discussion
3:00pm • (Research & Technical Studies) The Chronology of a Painting - Le Déjeuner sur l’Herbe: Sketch, Copy or Replica
3:00pm • (Paintings + Wooden Artifacts) X-ray Dendro: DIY CT Tree Ring Measurement for Dating Wooden Panels
3:00pm • Book and Paper Tips Session
3:00pm • (Archaeological Heritage) A Treatment Odyssey: The Preparation of 201 Ancient Cypriot Objects for Permanent Display
3:00pm • (Contemporary Art + Electronic Media) Teams of Care: Transfer Data Trust and the Case for Networked Artist Studios
3:30pm • (Research & Technical Studies) Exploring the High-temperature Degradation of Athenian Red-figure Pottery Used in Cremation Burials
3:30pm • (Paintings + Wooden Artifacts) Collaboration past and present: the collective investigation and treatment of the Saint John the Baptist altarpiece from the workshop of Blasco de Grañén
3:30pm • (Archaeological Heritage) Setting Up Shop: Objects Conservation and Materials Analysis at Pañamarca, Peru
4:00pm • AIC Member Business Meeting
5:00pm • Mistakes Session
