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8:00am • (Opening) Welcome and Opening Remarks
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8:30am • (Opening) In Commitment to Community: BACC’s Journey into Radical Inclusion
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8:47am • (Opening) Considering Elements of Effective Collaboration at the National Museum of the American Indian
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9:04am • (Opening) Powerful Places: cultivating cultural resilience in Minnesota’s sacred ecological sites
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9:21am • (Opening) Curiosa Naturalia: bringing a natural history collection back to life
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9:38am • (Opening) Threads of Time: Discovering a 19th-Century Faroese Knitted Sweater
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9:55am • (Opening) “It feels like Chief Dúqvay̓ḷa, Captain Carpenter, has come home”– Collaborative storytelling of his Chief’s Seat repatriation to the Carpenter Family in the Haíłzaqv Nation after 113 years
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10:15am • Morning Exhibit Hall Break
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10:55am • (Opening) – How to Tell your Story: Perspectives from Funding Agencies
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12:00pm • (Luncheon) Forging Connections: Working Together to Build and Sustain Small-Team Preservation Programs in Libraries and Archives - Ticketed event, $TBA
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12:00pm • (Luncheon) Foundations of Spectral Imaging of Cultural Heritage Objects (Multiband, Multispectral and Hyperspectral Imaging - Ticketed Event, $TBA
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2:00pm • (Objects) New African Masquerades: Flexible mounts for a collaborative exhibition
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2:00pm • (Architecture) Solution from Nature: Psyllium Husk as a Biological Amendment for Soil-based Shelter Coat Protection of Earthen Heritage
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2:00pm • (Photographic Materials) Application of High-Resolution Multispectral Imaging Systems for the Very-Long-Term Monitoring of Degradation Over Time of Photographs, Paintings, Fabrics, Documents, Books, and Other Cultural Heritage Materials
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2:00pm • (Book and Paper) A Decade in America: A 10 year race to prepare the 1960s Census Enumeration District Maps for digitization
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2:00pm • (Preventive Care) Meeting in the Middle: Best Practices and Practical Actions Unite in Community Collaboration
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2:00pm • (Paintings) Case studies in Collaboration: 17th century painting workshops to 21st century conservation studios
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2:00pm • (Contemporary Art + CAN!/VoCa) Direct Approaches to Complex Situations: Collaborating to Display Contemporary Textiles at the Los Angeles County Museum of Art
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2:00pm • (Textiles) Facing the Unknown Together: Conservation of Mexican Costume Collection by Pedro Loredo
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2:00pm • (Electronic Media) I’m Gonna Be (5000 Carriers): Success Rates and Predictors in Digital Media Preservation
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2:00pm • (Research & Technical Studies) A multi-disciplinary solution for the problem of lead corrosion in organ pipes
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2:30pm • (Architecture) Heat, Humidity, and Pressure: Leveraging Techniques from Other Disciplines to Preserve Graffiti and Architectural Paints at a Historic Prison Museum
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2:30pm • (Preventive Care) Van Gogh in motion: Safeguarding lined and unlined Van Gogh paintings from vibration and mechanical shock during transport
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2:30pm • (Research & Technical Studies) Use of bioplastics as art and conservation materials – Analysis of volatile and semivolatile organic compounds
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2:30pm • (Electronic Media) Machine Learning in Art: Tools, Techniques, and Implications for Conservation
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2:30pm • (Book and Paper) Archivists and Conservators: An Unlikely Love Story
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2:30pm • (Paintings) “It’s the small pieces that make the big picture”: The structural treatment of An Allegory of the Tudor Succession
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2:30pm • (Photographic Materials) “Lights on Vivex prints!” Raman identification and microfade testing of coloring materials
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2:30pm • (Textiles) If you Give a Mouse a Cookie: The use of Solvent Gels, Painted Overlays, and a Heating Pad in the Treatment of a Crazy Quilt
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2:30pm • (Contemporary Art + CAN!/VoCa)Mud Musings: Changing Systems and Ideas in Robert Rauschenberg’s Sound-Activated Artworks
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2:30pm • (Objects) A Sterling Conservation Project: Preparing 1200 Pieces of Gorham Silver for Exhibition and Travel
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3:00pm • (Preventive Care) A Multi-Strategy Approach to Preventive Conservation for historic wooden objects
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3:00pm • (Research & Technical Studies) Museums and Zoos: A case study of an unusual collaboration for heritage science research and public outreach
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3:00pm • (Paintings) Corneille de Lyon heart: technical studies of a late Renaissance portraitist and his workshop in France
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3:00pm • (Contemporary Art) Building collaborative networks of care for the conservation of Chryssa’s neon works
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3:00pm • (Electronic Media) Video Archives for Media Archaelogy: Steina Vasulka and Live A/V Processing in the 90s
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3:00pm • (Objects) Rediscovering and assembling painted wooden boxes from King Tutankhamun's collection: a collaborative approach
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3:00pm • (Photographic Materials) Assessing Lightfastness of Additive Color Screen Processes through Transmission Microfading: A Grain-Level Approach
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3:00pm • (Textiles) When UFOs invade: Displaying unfinished objects
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3:00pm • (Architecture) Bridging the Gap Between Real and Virtual: A Digital Interface for a Building Materials Collection
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3:00pm • (Book and Paper) Blueprint for Growth: A Journey of Architecture Designs
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3:15pm • (Research & Technical Studies) Testing for lead on sculpture: defining useful thresholds in a liability- and safety-minded America
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3:30pm • Afternoon Break in the Exhibit Hall
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4:00pm • (Preventive Care) Heat protective covers: Enhancing Fire Preparedness for Cultural Collections and the case study of Emergency Planning in France
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4:00pm • (Paintings) A Collaboration Between Two Private Practice Firms: The Conservation and Restoration of Noël Hallé’s Abraham and the Three Angels
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4:00pm • (Electronic Media) Pay No Attention to that Unit Behind the Curtain: Identification, Assessment, and Documentation of Control Systems
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4:00pm • (Textiles) Strategic(?) use of adhesive in treating fractured silk gauze layers of a complex garment.
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4:00pm • (Photographic Materials) Handcrafted Preservation: Custom Storage Solutions for Photographs at the Archivo de la Memoria Trans Argentina
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4:00pm • (Book and Paper) Expanding Access: Inclusive Conservation and Education Engagement at The UK National Archives
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4:00pm • (Research & Technical Studies) The role of adsorption in the solubilization of paper degradation products: Using treatment observations as a springboard for scientific advances
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4:00pm • (Objects) Mighty Powder: Demonstrating that fumed silica increases the adhesive strength of Acryloid B-72
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4:00pm • (Architecture) Patching the Cracks : An outsider art space becomes the glue for a post-industrial city
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4:00pm • (Contemporary Art + CAN!/VoCa) In name only? Collecting and caring for non-delegated performance artworks
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4:30pm • (Paintings) Beva 371: past, present, and future
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4:30pm • (Contemporary Art + CAN!/VoCa)A Prophylactic Treatment: Two Condom Collage Replications in Joanne Leonard’s Journal of a Miscarriage (1973)
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4:30pm • (Book and Paper) Manuscripts that multiplied – stories from the parchment partnerships
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4:30pm • (Research & Technical Studies) On the development of Xanthan-Konjac/Agar physical hydrogels and their analogs for conservation cleaning applications
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4:30pm • (Photographic Materials) Conservation of the portrait of Leonardas Biržiška (1809 –1902)
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4:30pm • (Electronic Media) Refining Workflows: Using the Iteration Report as an Advocacy Tool
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4:30pm • (Objects) Exploring Consolidation of Degraded Natural Foam Rubber
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4:30pm • (Architecture) Partners in Preservation: The importance of collaboration during construction at the Lower East Side Tenement Museum
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4:30pm • (Textiles) Reflections on Twenty-Five Years in Private Practice
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4:30pm • (Preventive Care) Turning Leaks into Lessons: Insights from a Water Leak Response in University Special Collections
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4:45pm • (Photographic Materials) Developing Conservator: My Journey in Darkroom Photography
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4:50pm • (Paintings) BEVA 371: An examination of morphological properties and the visualization of stress in mock painting samples using advanced thermal, spectroscopic, and imaging methods
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5:00pm • (Book and Paper) Keeping the Wolf from the Door: Remediating the Effects of Pressure-sensitive Tape While Preserving Artistic Intention
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5:00pm • (Textiles) Private Practice Panel
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5:00pm • (Research & Technical Studies) Developments in Safer Solvent Selections for the Removal and Application of Synthetic Resins
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5:00pm • (Electronic Media) More Than Meets the Eye: New Methods for Testing Artwork Iterations
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5:00pm • (Architecture) It takes a village to save an American Treasure: Preserving the Swimming Pool Grotto ceiling mural at Vizcaya Museum and Gardens
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5:00pm • (Contemporary Art + CAN!/VoCa) On the intersection of art and human rights: Collective efforts to preserve the work of imprisoned artist Luis Manuel Otero Alcantara
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5:00pm • (Paintings) Bringing BEVA 371 into the future: refinements and expanded forms
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5:00pm • (Photographic Materials) De “mist”ifying the Dahlia Sprayer
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5:00pm • (Preventive Care) Other duties as assigned: the unexpected tasks of preventive care and the lessons of a pre-program Preservation Assistant
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5:00pm • (Objects) Bulked B-72 Fills
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5:10pm • (Paintings) BEVA Q&A
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8:30am • (Architecture + Preventive Conservation) “Understanding the Problem and Defining the Goal: Environmental Assessments in Historic Buildings and Collections in the NPS, Region 1”
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8:30am • (Wooden Artifacts) Unleashing the Evidence: Creating an Interactive Didactic Centered on Conservation-Derived Content
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8:30am • (Textiles) “Form Inventions”: A Technical Analysis of Barbara Rossi’s Prints on Textiles
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8:30am • (Book & Paper + Photographic Materials + RATS +Imaging) Investigating Transmitted Infrared Imaging to Detect Chalk Media on the Verso of Lined Stradanus Drawings
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8:30am • (Objects) Fit to float: Conservation of a Painted Canvas and Birchbark Canoe
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8:30am • (Contemporary Art) The conversation in a language of love. Passion or murder? An interactive presentation between Chilean artist Daniela Rivera and Spanish conservator Ruth del Fresno-Guillem
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9:00am • (Wooden Artifacts) Lifting the Lid: Investigating an Italian Renaissance Painted Cassone
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9:00am • (Book & Paper + Photographic Materials + RATS+Imaging) Colorant Detectives: An Interactive Dichotomous Key for Multiband Imaging
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9:00am • (Contemporary Art) Planting the Seed: Collaboration in the Preservation of Kraus Campo
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9:00am • (Architecture + Preventive Conservation) Flood Barriers: Examining and Improving Flood Preparedness at Museums and Sites in Historic Buildings
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9:00am • (Paintings) “Preserving Oversize Paintings: Collaborative Innovations between Paintings Conservation and Collections Management at the Heritage Conservation Centre, Singapore”
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9:00am • (Textiles) In the French Style: The Conservation of an 18th Century Chinese Tapestry in the Collection of the Cleveland Museum of Art
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9:00am • (Objects) “Turning the Feather Around”: Conservation of a Monumental George Morrison Mural
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9:15am • (Book & Paper + Photographic Materials + RATS +Imaging) Automating Image Registration with OpenCV-Python: Lowering the Cost Barrier for Multiband and Multispectral Imaging Setups
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9:30am • (Textiles) Stranger than it Seams: Treatment of a 19th-century Painted Embroidered Picture
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9:30am • (Book & Paper + Photographic Materials + RATS+ Imaging) Using multispectral imaging to augment digitized West African manuscripts
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9:30am • (Wooden Artifacts) How do you fill? How hallway conversations built collaborations for the conservation of wooden objects
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9:30am • (Objects) Collaborative Preservation: the NMAI Seneca Cabin
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9:30am • Preserving Ukraine's Cultural Heritage during Russia's Invasion
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9:30am • (Paintings) Andy Warhol's Oxidation Paintings
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9:30am • (Contemporary Art + CAN!/VoCa) Developing a Designer Residency Program from the ground up
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10:00am • Morning Exhibit Hall Break
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10:30am • (Paintings) A Mysterious Pair: the treatment and technical study of Veronese’s Allegories of Navigation at LACMA
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10:30am • (Research & Technical Studies) Challenges and benefits of community-based participatory research (CBPR) in technical art history and conservation science: The Tikuna/Magüta blue case
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10:30am • (Wooden Artifacts) In Between the Layers: Technical Study of a Contemporary Vietnamese Lacquer Painting
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10:30am • (Objects) Perpetual Conservation: a continuing collaboration to conserve Jack Nelson’s kinetic Sculpture Clock
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10:30am • (Textiles) Glue Me Once, Glue Me Twice: Adhesive Retreatment of an Early 18th C Embroidered Palampore
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10:30am • (Architecture + Preventive Conservation) Let there be light (or maybe not)
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10:30am • (Electronic Media) Learning on the Job with Maintenance Culture: Creating a digital media art preservation Field Guide and trainings for small shops and artists - a 90 minute panel
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10:30am • (Book and Paper) The Ties That Bind: Communication, Collaboration, and Cross-Disciplinary Professional Development in the Service of Library Special Collections
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10:30am • (Contemporary Art + CAN!/VoCa) The Evolution of Glenstone Museum’s Artist Oral History Program
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11:00am • (Research & Technical Studies) Embracing Uncertainty: Exploring New Perspectives in the Story of a Chinese Lacquer Screen
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11:00am • (Book and Paper) A History of the Books in Taiwan: The Transformation of Bookbinding Formats During the Period under Japanese Rule (1895-1945)
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11:00am • (Architecture + Preventive Conservation) Common HVAC issues and ways to avoid or correct them.
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11:00am • (Textiles) Alf Engen Ski Museum Gets a Lift
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11:00am • (Paintings) Swept Under the Table: Analysis and Treatment of Susan Watkins’s Afternoon Tea with Successive Artists’ Materials and Methods Study
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11:00am • (Objects) Gorgonized by Her Monsterful Snoutfair Visage: Harriet Hosmer's Medusa in Context
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11:00am • (Contemporary Art + CAN!/VoCa) Bringing in new voices: the next generation of the Artist Documentation Program
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11:00am • (Wooden Artifacts) Re-define the craquelure patterns on traditional Chinese musical instrument guqin with advanced imaging techniques RTI and micro-CT
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11:30am • (Architecture + Preventive Conservation) Building Together Better: Establishing Dynamic Models for Collections Storage Planning at The New York Public Library Research Libraries
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11:30am • (Research & Technical Studies) Our Elusive Yellow Whale: New Findings on the History and Identification of Patent Yellow/Lead Oxychloride Pigment in Painted Heritage Objects
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11:30am • (Contemporary Art + CAN!/VoCa)Evolving Dialogues: Revisiting the Artist Interview
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11:30am • (Textiles) A comparative practical study to evaluate the impact of the selected Bio and Synthetic polymers loaded with cleaning agents applied for reduction different stains from dyed stained wool fabric
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11:30am • (Wooden Artifacts) Furthering Conservation in Wartime Ukraine
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11:30am • (Book and Paper) Sympathetic to Synthetics: Developing Tear Repairs for Matte Laminated Papers in Twenty-first Century Periodical Covers
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11:30am • (Paintings) “I paint paintings”: The materials, techniques, and conservation of Joan Mitchell’s Paintings on Canvas
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11:30am • (Objects) On Blue Buyao: The Technical Study and Conservation Treatment of a Tian-Tsui Headdress
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11:45am • (Book and Paper) When Outreach Reaches Back: The Treatment and Re-Treatment of Katsukawa Shunshō’s Abalone Fishergirl with an Octopus
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12:00pm • Objects Tips Lunch - Ticketed Event - Price TBA - Sponsored by Wiss, Janney, Elstner Associates, Inc.
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12:00pm • Embracing “It Depends”: A Collaborative Discussion on Navigating Ambiguity in Art Conservation - Ticketed Event Cost TBA
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12:00pm • Book and Paper Group Wiki Discussion
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2:00pm • (Conservation in Times of Historical Conflict) Before There Was War, There Was Kristallnacht
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2:00pm • (Leading the Way: Conservation Strategies in Museum Redevelopment) Introduction and Sponsor Remarks by Tru Vue
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2:00pm • (Collaboration in Conservation Education) A Broad Brush Approach to Learning: Preserving Community Heritage
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2:00pm • (Capturing Complexity: Addressing Imaging Challenges through Collaboration) A Partnership Between The City Palace Museum in Udaipur and The Metropolitan Museum of Art in New York: The Joint Study of Mewar Paintings Through Multiband Imaging
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2:00pm • (Lighting the Way: Museum Illumination Policies and MIcroFade Testing) Intrroduction
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2:00pm • (We’re All in This Together: Conservation Outreach and Community Engagement) Introduction
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2:05pm • (We’re All in This Together: Conservation Outreach and Community Engagement) Teacher/Conservator Co-Creation: Lessons in K-12 Outreach at the Conservation Center for Art and Historic Artifacts
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2:10pm • (Leading the Way: Conservation Strategies in Museum Redevelopment) Let there be light: reintroducing natural light with mixed displays at the National Portrait Gallery London
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2:10pm • (Lighting the Way: Museum Illumination Policies and MIcroFade Testing) Sustainability-based decision making for museum lighting
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2:25pm • (We’re All in This Together: Conservation Outreach and Community Engagement) Letters to a Pre-Scientist: Accessible and Inclusive K-12 Outreach for Every Conservator
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2:30pm • (Capturing Complexity: Addressing Imaging Challenges through Collaboration) Photogrammetry Fast: Developing a New Automated Pipeline.
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2:30pm • (Collaboration in Conservation Education) Strategies for Accessible and Collaborative Training in Indigenous Collections Care
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2:30pm • (We’re All in This Together: Conservation Outreach and Community Engagement) Community-Led Preservation: Our Stuff, Our Stories at the Conservation Center for Art & Historic Artifacts
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2:30pm • (Conservation in Times of Historical Conflict) Conservation, site preservation, and civil war at the UNESCO World Heritage Site of Jebel Barkal, Sudan: lessons from work during armed conflict
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2:35pm • (Leading the Way: Conservation Strategies in Museum Redevelopment) “If you build it, they will come”: Building a Climate-Controlled Storage Unite Inside a 1940s Warehouse on a Navy Base
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2:35pm • (Lighting the Way: Museum Illumination Policies and MIcroFade Testing) Tribute and Light: An Honest Telling of Lighting Policy at the National September 11 Memorial & Museum
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2:40pm • (We’re All in This Together: Conservation Outreach and Community Engagement) Establishing a Conservation Outreach Position at the Smithsonian National Museum of Asian Art
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3:00pm • (Lighting the Way: Museum Illumination Policies and MIcroFade Testing) Illuminating Acceptable Change: Collaborative, Data-Driven Lighting Guidelines
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3:00pm • (Collaboration in Conservation Education) Teaching and Networking as a Strategy for the Preventive Conservation of Cultural and Scientific Heritage at the University of São Paulo and in Brazil
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3:00pm • (We’re All in This Together: Conservation Outreach and Community Engagement) The Stories We Keep: Conservation as the bridge to connect visitors, staff and the Carnegie Museum of Natural History’s collections.
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3:00pm • (Capturing Complexity: Addressing Imaging Challenges through Collaboration) The Challenge of Chemical Reagents:The Verona Gaius and Vergil Palimpsests at the Confluence of Technologies
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3:00pm • (Leading the Way: Conservation Strategies in Museum Redevelopment) Hundreds of objects, very few of us: treatment, prioritization, and teamwork during the Yale Peabody Museum renovation
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3:00pm • (Conservation in Times of Historical Conflict) Wooden Churches in Wartime Ukraine: Conservation Challenges
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3:10pm • (We’re All in This Together: Conservation Outreach and Community Engagement) (Un)Concealed Layers: design + public reception of a technical analysis exhibition
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3:15pm • (Collaboration in Conservation Education) Enhancing Diversity in Conservation through Collaboration at the World’s Largest Consortium of HBCUs
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3:30pm • Afternoon Break in the Exhibit Hall and Poster Q&A Session
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4:00pm • (Documenting Reactivations: Between Materials & Sensory Experiences and Interactions) Jordan Wolfson's Body Sculpture: Transferring skills and documenting robots at the National Gallery of Australia.
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4:00pm • (Prioritizing People Over Objects: Re-imagining Conservation Ethics) Introduction
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4:00pm • (Context-Based Practice: Conservation Field Services) Embedding Community Conservators in Public Libraries: Conservation as a Public Service
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4:00pm • (Digitization and Open Access to Conservation Research and Technical Images) Introduction
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4:00pm • (Elements of Effective Collaboration) Introduction and Sponsor Remarks by Click Netherfield
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4:00pm • (Inside Out: Rewriting the Power Dynamics in Conservation) Introduction
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4:05pm • (Inside Out: Rewriting the Power Dynamics in Conservation) NEW Conservation Leadership Program with a Foundation in Cultural Equity
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4:10pm • (Elements of Effective Collaboration) A Focused and Critical Look at Collaborative Relationships at the National Museum of the American Indian
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4:12pm • (Digitization and Open Access to Conservation Research and Technical Images) Publishing Technical Material on a Museum Website: The Early Netherlandish Paintings at The Met as a Case Study
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4:15pm • (Context-Based Practice: Conservation Field Services) Acts of Commemoration: When Narrative Precedes Material Context at the National September 11 Memorial & Museum
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4:15pm • (Prioritizing People Over Objects: Re-imagining Conservation Ethics) Darning the Wear of Time in the 21st Century: Redefining the Art Historical Narrative and the Role of the Textile Conservator
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4:20pm • (Documenting Reactivations: Between Materials & Sensory Experiences and Interactions) A Touchy Subject: Advancing Tactile Accessibility for Everyone
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4:20pm • (Inside Out: Rewriting the Power Dynamics in Conservation) Managing change - Leadership in conservation and science for a new era
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4:25pm • (Elements of Effective Collaboration) Building Bridges: Reflections from a Collaborative Conservation Project
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4:25pm • (Context-Based Practice: Conservation Field Services) A Field Services Guide to Emergency Response
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4:30pm • (Prioritizing People Over Objects: Re-imagining Conservation Ethics) Resonating Change through Collections Stewardship: The Creation of the Indigenous Collections Care (ICC) Guide
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4:30pm • (Digitization and Open Access to Conservation Research and Technical Images) Developing a Legacy of Open Access, Digital Catalogs at the Indianapolis Museum of Art
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4:40pm • (Inside Out: Rewriting the Power Dynamics in Conservation) Empowering Black Preservation: A Collaboration of Community, Conservation, and Construction at Mt Zion Baptist Church in Athens, Ohio
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4:40pm • (Documenting Reactivations: Between Materials & Sensory Experiences and Interactions) Future lives: Collaborative approaches to the Conservation of Choreographic Artworks
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4:45pm • (Context-Based Practice: Conservation Field Services) Cultivating Collaborative Care: The Sol Legare Community, Clemson University, and the Seashore Farmers’ Lodge
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4:50pm • (Inside Out: Rewriting the Power Dynamics in Conservation) Your Neighborhood Museum: creating a workspace for sustainable community-led cultural heritage preservation models
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4:50pm • (Elements of Effective Collaboration) Supporting Our Communities On the Edge: Community-led conservation in the midst of the climate crisis
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4:55pm • (Prioritizing People Over Objects: Re-imagining Conservation Ethics) Traditional Care and Western Care – A “Kinship” Approach to Collections Care
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5:00pm • (Documenting Reactivations: Between Materials & Sensory Experiences and Interactions) Visceral Adipose Tissue: Overcoming Boundaries for the Presentation and Preservation of 2000-04-11 by Gu Dexin
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5:00pm • (Digitization and Open Access to Conservation Research and Technical Images) From Shared Mission to Shared Resources: The Joint Design and Development of the Samuel H. Kress Foundation and NYU Kress Conservation Websites
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5:10pm • (Elements of Effective Collaboration) Thirty Sailors Walk into a Museum: A Story of Collaboration Between Collections Professionals and a US Naval Nuclear Submarine Crew
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5:10pm • (Inside Out: Rewriting the Power Dynamics in Conservation) Community-Inclusive Public Art Conservation: Inner Resources Mural Conservation Apprenticeship Project
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5:15pm • (Context-Based Practice: Conservation Field Services) Q&A and Panel discussion
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5:15pm • (Prioritizing People Over Objects: Re-imagining Conservation Ethics) To Box or Not to Box that is the question of Being Boxed in - The Designing Process of Culturally Sensitive Containers
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5:20pm • (Inside Out: Rewriting the Power Dynamics in Conservation) Lighting Round Q&A and Panel Discussion
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5:20pm • (Documenting Reactivations: Between Materials & Sensory Experiences and Interactions) Panel Discussion
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5:25pm • (Elements of Effective Collaboration) Panel Discussion
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5:30pm • (Prioritizing People Over Objects: Re-imagining Conservation Ethics) Panel Q/A and Discussion
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5:30pm • (Digitization and Open Access to Conservation Research and Technical Images) Panel Discussion
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8:15am • (Stumbling Towards Sustainability: Stories About Implementation) Introduction
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8:30am • (Stumbling Towards Sustainability: Stories About Implementation) Getting on the Same Page at NYPL: Learning Together to Advance Climate Action in Preservation and Exhibition Contexts
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8:50am • (Stumbling Towards Sustainability: Stories About Implementation) Sustainable Practices within Collection Care: Balancing Environmental Conditions with Institutional Demands
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9:10am • (Stumbling Towards Sustainability: Stories About Implementation) Sustainability across the collection multiverse
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9:30am • (Stumbling Towards Sustainability: Stories About Implementation) Panel Discussion
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10:30am • (Preventive Care | Research & Technical Studies |MFT-IDG) Lighting Policy as an iterative process with MFT
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10:30am • (Architecture) Proposing an Alternative Methodology for Hurricane-Related Vulnerability Assessments of Built Heritage in Puerto Rico
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10:30am • (Objects) When Art Meets Engineering: Collaborative Approaches to Outdoor Sculpture Installations at the Toledo Museum of Art
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10:30am • (Contemporary Art + Electronic Media) Branching Out: Conservation of Nam June Paik’s Who’s Your Tree at the Indianapolis Museum of Art
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10:30am • Library and Archives Discussion Group - 90 minutes
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10:30am • Art on Paper Discussion Group - Citrates in Paper Conservation - 90 minutes
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10:30am • (Archaeological Heritage) From Ashes to Artifacts: the strategic recovery of collections from the Montpelier fire
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10:30am • (Paintings + Wooden Artifacts) Painting on a Ply: Exploring Innovative Treatments and Funding Solutions
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10:30am • (Textiles) You Had Me at Trello: Kanban Style Project Management in Conservation through Four Case Studies
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11:00am • (Paintings + Wooden Artifacts) Just Like the Real Thing: Jules Allard et Fils Reproduction Boiserie Period Rooms at the John & Mable Ringling Museum of Art
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11:00am • (Preventive Care | Research & Technical Studies |MFT-IDG) Shades of yellow: can MFT foretell light-induced color change of white paper?
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11:00am • (Textiles) WANTED: Cleaning Methods for Fugitive Early Synthetic Organic Acid Dyes on the Run
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11:00am • (Archaeological Heritage) Heritage West | Archaeology, Conservation, and Community in West Philadelphia
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11:00am • (Objects) My Kingdom for a Drain: The Collaborative Treatment of Robert Gober’s Untitled Installation
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11:00am • (Contemporary Art + Electronic Media) Collaborative Voices: Preserving Alan Rath's Electronic Legacy Through Shared Knowledge
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11:00am • (Architecture) Colored Expectations, Whitewashed Reality: A.J. Downing's Influence and the Surprising Palette of Ivy Lodge
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11:30am • (Preventive Care | Research & Technical Studies |MFT-IDG) Low Dose Microfade Testing in Air and Low Oxygen Environments to Optimize Long-Term Display for the Emancipation Proclamation
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11:30am • (Textiles) Thutmose III Mummy Shroud from Storage to Display: Challenges and Collaborative Insights into Preservation and Exhibition
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11:30am • (Objects) Collaboration on Restoring Henry Moore’s Bronze Form at the Getty Museum
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11:30am • (Architecture) Importance of Planning, Research, and Material Testing in Maintaining an Oldest Public Wood-and-Glass Greenhouse in the United States
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11:30am • (Contemporary Art + Electronic Media) Exploring 3D Documentation for Time-based Media artworks: Case Studies from the Smithsonian Institution
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11:30am • (Archaeological Heritage) A Treatment Odyssey: The Preparation of 201 Ancient Cypriot Objects for Permanent Display
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11:30am • (Paintings + Wooden Artifacts) Early case studies in the use of Xanthan-Konjac/Agar physical hydrogels and their analogs for conservation cleaning
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11:45am • (Archaeological Heritage) Setting Up Shop: Objects Conservation and Materials Analysis at Pañamarca, Peru
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12:00pm • Sustainability in Collections Care: Centering on Context vs. Extending an Object’s Physical Life - Ticketed Event - Cost TBA
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12:00pm • Socratic dialogue: What makes an object (in)valuable enough to conserve and preserve? - Ticketed Event - Cost TBA
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1:30pm • (Book and Paper) Reconsidering Klucel M: A Comparative Study of Commonly Used Cellulose Ethers in Paper Conservation
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2:00pm • (Research & Technical Studies) Joe Overstreet: searching for an unknown truth
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2:00pm • (Paintings + Wooden Artifacts) The First Hundred Years of Masonite
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2:00pm • (Objects) Radiography in the Round: Capturing and Viewing X-rays in 360°
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2:00pm • (Architecture) ASG Panel
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2:00pm • (Textiles) Technical analysis of Anatolian Kilims: Bridging disciplines, departments and continents
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2:00pm • (Book and Paper) Adhesive Kinetics: the Folding Endurance of Wheat Starch Paste, Cellulose Ethers, and Photo-Grade Gelatin
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2:00pm • (Contemporary Art + Electronic Media) Balancing Aesthetics and Functionality: a continuous refinement to care for design objects
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2:00pm • (Archaeological Heritage) When Conservation Goes For a Spin: Experiences gained and lessons learning from ten years of lifting and rotating large archaeological objects at the Mariners’ Museum and Park
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2:30pm • (Research & Technical Studies) Secret Sauce: Investigating the Materials in Whistler’s Nocturnes
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2:30pm • (Objects) Mercury: A Collection Component - A 90 Minute Panel
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2:30pm • Meet RALPH: The Reliable, Archival, Longterm Preservation Helper
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2:30pm • (Textiles) It Takes a Village: Collaborations as a Critical Element in the Development of Pesticide Safety Programs
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2:30pm • (Archaeological Heritage) Value, Collaboration, and Sustainable Practice: The Vésztő-Mágor Conservation and Exhibition Program
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2:30pm • (Paintings + Wooden Artifacts) Collaborative conservation of a monumental altarpiece: Vivarini’s Virgin and Dead Christ with the Ascension and Saints
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2:30pm • (Book and Paper) Evaluating the effectiveness of alum-tawed parchment as a repair material
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3:00pm • (Research & Technical Studies) The Chronology of a Painting - Le Déjeuner sur l’Herbe: Sketch, Copy or Replica
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3:00pm • (Paintings + Wooden Artifacts) X-ray Dendro: DIY CT Tree Ring Measurement for Dating Wooden Panels
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3:00pm • (Archaeological Heritage) Forging Ahead: Creosote Removal from the Valley Forge National Park Upper Forge Site
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3:00pm • Book and Paper Tips Session
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3:00pm • (Contemporary Art + Electronic Media) Teams of Care: Transfer Data Trust and the Case for Networked Artist Studios
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3:30pm • (Archaeological Heritage) Hazy and Fragmented Memories: Revitalizing Two Archaeological Glass Carboy Bottles
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3:30pm • (Research & Technical Studies) Exploring the High-temperature Degradation of Athenian Red-figure Pottery Used in Cremation Burials
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3:30pm • (Paintings + Wooden Artifacts) Collaboration past and present: the collective investigation and treatment of the Saint John the Baptist altarpiece from the workshop of Blasco de Grañén
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4:00pm • AIC Member Business Meeting
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5:00pm • Mistakes Session
